Thesis: Emily Bronte's writing is "significantly shaped by her experience of what it was to be a woman in the nineteenth-century England," through Gondal.
Summary:
Most critics forget about Gondal
Emily writes very characteristically in the feminine style (passion, fierce, emotional, spiritual, etc)
Started to write poems of Gondal at 8 yrs. old
Emily kept with Gondal till her adult years as well as stayed true to the details of the mythical place
Poems are based in the fictional Pacific islands of Gondal and Gaaldine which have a continuous civil war.
Chief of Gondal is Queen Augusta of Almeda
Chief of Gaaldine is King Julius Brenzaida of Angora
Some critics say that she put herself in Gondal to be a better part of her mythical world thus write better
Emily only writes a few “personal poems” but the distinction of the personal poems and Gondal are clear
This means that Gondal is not a representation of her life or emotions
Her personal poems search for individuality and the meaning of it
Gondal is the typical Feminine style which includes ethereal and maternal themes
Emily did not really mature into a woman, and resisted the obligation of womanhood. She was strict and severe
Never fell in love (or no records of it)
Emily performed many physical labors around the house (un-feminine)
The poems of Gondal, though written in the span of 13 years, did not grow with Emily. Rather, they remained as constant as to when she first started at the age of 8
There is still the recurring theme of passionate women
The poems’ speakers are usually women or a lover remembering a woman
It is theorized that if Emily has continued down the road of living her feminine in Gondal, she would have lost her individuality
During the social context of 19th century England, that she was undoubtedly un-feminine
In her manners of speech, reserve and desire for solitude